Fisking emo
Mar. 11th, 2006 12:00 amBelow is
a fisking
of the song "As Lovers Go" (Chris Carrabba, Dashboard Confessional; A
Mark, A Mission, A Brand, A Scar; Shrek 2). It's the
only emo song I know, so I'll assume its faults are typical of the entire
genre. Here
are all
the lyrics. Don't expect any great insights from me: in high
school English my worst subtopic was poetic analysis. Apparently I
just don't see anything in poems.
5The syncopation pattern he's chosen for the song matches up well here with the natural speech-rhythm of this utterance. Perhaps he's had this line burned into his brain by too many failed pickups, or maybe he just has a good ear. 6In "mark", Carrabba does a great job putting some vibrato(?) into his /ɹ/ without corrupting it into a Europeanish trill. But the /ʌ/ vowel is too broad, sounding more like /ɑ/ (as in "mahrk").
Sorry about all the IPA symbols in this post. No wait, I'm not. It's the only hammer I have and I'm going to whack every mole I can! Thanks,
porsupah, for the link
to this handy IPA chart with
example sounds. But I probably got some of them wrong.
7Every lyrics site says this verse begins with "No", but I can't hear it. 8I would have expected "passion" to be strongly accented here, as the most-desired feature in the prey he's hunting, but Carrabba mutes this word and slurs it into the following conjunction. Some phrasal-prosody thing, perhaps?
I'm sorry now that I didn't bother attending the free Music Theory classes offered at the All Newton Music School in conjunction with my piano lessons. My teacher, Ms. Broughton, thought I should be a concert pianist, but I didn't want to work that hard—computer keyboards are *so* much easier!
10"Got" is a pun, compared with its meaning in the previous verse, and it ties in with the hunting-and-fishing metaphor that floats through the background of this song.
She said "I've gotta be 1honest, you're wasting your time if you're 2fishing round here."
Starts well. 1"Honest" is well-sung as /ʡʌ.n̩.ɪst/, clearly audible
despite all the plucking, strumming, and drumming of the other
instruments. 2"Fishing" introduces the central conflict: the girl
has already said "No" before Carrabba even begins mouthing his pick-up
lines.
And I said "you must be mistaken, cause I'm not 3fooling, this 4feeling is real."
3,4What's the
word for the sound relationship between "fooling" and "feeling" here?
“Ablaut” doesn't quite fit.
She said "you've gotta be crazy, 5what do you take me for, some kind of easy 6mark?"
This is her last line in the song. IRL she probably walks away at this
point; the rest of the lyrics are Carrabba's fantasy about what he *should*
have said.5The syncopation pattern he's chosen for the song matches up well here with the natural speech-rhythm of this utterance. Perhaps he's had this line burned into his brain by too many failed pickups, or maybe he just has a good ear. 6In "mark", Carrabba does a great job putting some vibrato(?) into his /ɹ/ without corrupting it into a Europeanish trill. But the /ʌ/ vowel is too broad, sounding more like /ɑ/ (as in "mahrk").
Sorry about all the IPA symbols in this post. No wait, I'm not. It's the only hammer I have and I'm going to whack every mole I can! Thanks,
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
7No, you've got wits, you've got looks, you've got 8passion, but I swear that you've got me all wrong.
Wits, looks, passion? What is he searching for—a
Fame castmember?7Every lyrics site says this verse begins with "No", but I can't hear it. 8I would have expected "passion" to be strongly accented here, as the most-desired feature in the prey he's hunting, but Carrabba mutes this word and slurs it into the following conjunction. Some phrasal-prosody thing, perhaps?
I'm sorry now that I didn't bother attending the free Music Theory classes offered at the All Newton Music School in conjunction with my piano lessons. My teacher, Ms. Broughton, thought I should be a concert pianist, but I didn't want to work that hard—computer keyboards are *so* much easier!
All wrong. 9All wrong. But you 10got me.
In a typical pop song with A-A-B-A structure, this would be a
"bridge". But this song's structure is more like A-B-C-D-A-B-C-D, so I
don't know what to call section B. Anyway, it's too long for my
taste. 9Nice wail, interleaved
with fancy drumming, but just too
long.10"Got" is a pun, compared with its meaning in the previous verse, and it ties in with the hunting-and-fishing metaphor that floats through the background of this song.
I'll be true, I'll be useful; I'll be 11cavalier. I'll be yours my dear. And I'll 12be-
long to you, if you'll just let me through.
( Fiskars... Australian for shears )long to you, if you'll just let me through.